Plus: "Generation Connie," a Tupac docuseries, and a summer preview

View this email online by Aisha Harris Hi there! It was the week of yet another media relic met its demise. It was the week the internet discovered the existence of a very popular and controversial network drama. And it was the week three high-profile women procured big legal victories in separate #MeToo-related cases.     Some stars never fade Like many people who routinely suffer FOMO, I’ve drained a ridiculous portion of my bank account to secure tickets for Beyoncé’s Renaissance tour, which officially kicked off this week in Sweden. (We’re finally, sort of, getting those visuals, y’all!) This will be my third time seeing Queen Bey live; I last saw her when she was touring for Lemonade in 2016. But before that, it had been even longer between my IRL sightings: 17 years(!), when Destiny’s Child (pre-Michelle Williams) opened for TLC during the FanMail tour. I was 11 years old. Back then, I had no idea that that same lead singer with a unique name would become such a dominant force in every era of my life: my teens (the “Crazy in Love” era); college (the “Single Ladies” era); my 20s (4, Beyoncé, Lemonade), and now, my 30s. I had no clue that decades later, I would pay a pretty penny to watch her put on one of the biggest tours in my lifetime. Beyoncé performs in November 2016 / AP For many people my age, Beyoncé's always been a part of our lives. Her combined level of stardom and critical esteem is exceptionally rare; more than 25 years into her professional career, she’s arguably bigger than ever. But this has got me thinking about other cultural figures for whom entire generations can cite as having grown up and grown older. This year marks 20 years since Kenan Thompson joined Saturday Night Live, though as a millennial raised on a steady diet of Nickelodeon, he was a part of my life long before then, as a star on the kid shows All That and Kenan & Kel. (I’ve been watching Kenan on my TV since I was six years old!) For Gen-Xers, Weird Al is one of those guys; as my lovely co-host Stephen Thompson recently observed, the prolific musician-comedian’s debut album dropped 40 years ago, and he’s never stayed away too long in all that time since. (Just last year, a bonkers pseudo-biopic about his life was released.) Frank Sinatra, the Beatles, Michael and Janet Jackson, Oprah, Mariah Carey, Steven Spielberg, Leonardo DiCaprio and Will Smith – all mean something special to the ones who were young when they first came up, too. To be clear, this is different from purely nostalgia-fueled artists who remain stuck in the collective memory primarily for whatever they did many years ago. (Sorry, Backstreet Boys.) And it’s also not quite the same experience as having grown up with the pop culture that older generations hand down. However, part of occupying this unique cultural space does require multi-generational longevity. Instead, it’s about how every generation has its stars who hit it big just as that generation is coming of age and honing its tastes in art and who never seem too far from that cohort’s consciousness even as they age. I think it creates a unique bond that’s harder to break, for better or worse; you may find it difficult to accept and/or reconcile their faults. It can lead to dumb intergenerational tiffs. (Don’t even get me started on the under-30-somethings who try to argue Chris Brown is anywhere close to being on the same level as Usher.) It can also feel like a personal evolution, where you can pinpoint each phase of your life and map it alongside that artist’s oeuvre. It connects you to those who vividly remember being in high school when they saw a young Tom Cruise in Risky Business during its original release. Now, here you are all these years later, watching an old Tom Cruise scamper across rooftops and train a new generation of fighter pilots. You’ve grown up together, in a way. The careers of these generational figures ebb and flow like all careers do, and that generation’s relationship with them probably ebbs and flows, too. And yet they’re a constant, reliable presence. When I catch Beyoncé in August, the audience's age range will be all over the place, and that’s part of her enduring appeal. But I also know that certain older songs will hit some of us way different than they do others, with clear memories of a much younger Beyoncé and our much younger selves dancing furiously and with precision – there’s no other way with Beyoncé – in our minds. Newsletter continues after sponsor message We Recommend I binged two very different podcasts recently, which I found really illuminating. The first is Party Crews: The Untold Story, hosted by Janice Llamoca, which paints vivid imagery of a social scene popular among young Latinx kids in L.A. during the 2000s. (Full disclosure, the executive producer is a very dear friend of mine, but I was into the show before I knew she was involved.) The other is Think Twice: Michael Jackson, an engrossing series hosted by Jay Smooth and Leon Neyfakh. Yes, Jackson’s life and legacy have been dissected to death, but it still uncovered some details that were new to me, and it wrestles with all the thorniness in an admirable way. Speaking of thorniness, I’m also digging Allen Hughes’ docuseries Dear Mama, about the complicated lives of Tupac Shakur and his mother, Afeni Shakur. The fifth and final episode drops on Hulu this weekend. This New York Times piece about a phenomenon I wasn’t aware of until now is really lovely – “Generation Connie” describes how many Asian American immigrants and children of immigrants have been named after journalist Connie Chung.   What We Did This Week Netta performs at the dress rehearsals for Eurovision / AP Linda recapped the seventh episode of the final Succession season, “Tailgate Party.” (And what a party it was – yikes!)  She also returned to the world of Bridgerton with Cate Young and Christina Tucker to discuss Season 3, which focuses on Queen Charlotte. (And you can read her review here.) Glen, Linda, Stephen and I each made our case for the best TV series finales of all time. (Spoiler: Apologies Six Feet Under fans!) Linda chatted with Leah Donnella about books that transport you across the globe. The Core Four™ came together again (that’s twice in one week!) and, for the very first time, we were all live and in person from NPR’s HQ. We discussed the movies, shows, and music we’re excited about this summer. Stephen talked about the genius of Weird Al on NPR’s All Things Considered. Glen gave us his top 10 Eurovision performances of this year’s eclectic bunch. What's Making Us Happy Every week on the show, we talk about some other things out in the world that have been giving us joy lately. Here they are: Aisha Harris: Jury Duty on Amazon Freevee Glen Weldon: The Other Two Season 3 on HBO Max Linda Holmes: “Every Frame A Painting” video series Stephen Thompson: Rutherford Falls on Peacock Stream your local NPR station. Visit NPR.org to find your local station stream. Subscribe to Pop Culture Happy Hour+. Your support helps make our show possible and unlocks access to our sponsor-free episodes. What do you think of today's email? We'd love to hear your thoughts, questions and feedback: pchh@npr.org Enjoying this newsletter? Forward to a friend! They can sign up here. Looking for more great content? 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