Welcome! It was the week when the Paralympics started. It was the week when we celebratedThe West Wing. And it was the week when that was not Tom Hanks. Let's get to it.
International dramas trace familiar tragedies
While on vacation, I came across the 10-episode Spanish-language Netflix series The Accident, which is currently in the Netflix Top 10. I decided to give it a whirl, as much as anything because I wanted to know what the accident was. I had not watched the trailer, which gives it away, but because it does (and it's revealed in the opening episode), I will tell you what the accident is: At the party, the bounce house where the kids are playing is picked up by a gust of wind, and tragedy ensues.
Unfortunately, this can happen (there was a similar tragedy in Maryland not long ago), but this is only the inciting incident. As we follow the affected families, there is intrigue over a business deal, there is an affair, there is a very scary man, there is a teenage romance, and there is a tangled tale of who is responsible for this accident. The series is about the ways these people are changed by one day in their lives, but it also has a strong undercurrent of soapy drama.
I'm not sure the show is terrific, but it's very watchable, in that I watched all 10 episodes in a single day. (Vacation!) This is a Mexican drama, and it made me think about how, wherever a story comes from, the deepest anxieties often echo pretty effectively. A nightmare that involves kids, families that start placing blame, parents who are trying to balance career and family responsibilities with devastating costs for failure – it's all pretty horrifying.
While both of these series are what you might call a "tough sit" because of the subject matter, it's always interesting to look through a different lens at storytelling that touches on familiar things. For an American viewer like me, both series drive home the point that the justice system works differently in different places – and that criminal offenses can have wildly different penalties in other countries.
And as always, I do recommend watching these shows with subtitles, for the simple reason that you have to give them your attention. You can't second-screen if you need to read along, and there's much to be said for training yourself to let something hold your focus for, say, eight hours or so.
Netflix is now serving me recommendations for many, many, many dramas that were produced internationally. I'll see you in a few years, when I've made a dent.
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Glen and I chatted about the many times celebrities have played versions of themselves and what makes those portrayals interesting.
Stephen and Hazel Cills dug in on a very hot name in music: Sabrina Carpenter.
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Glen continued his big week with a discussion with Roxana Hadadi about The Crow.
And Glen (of course) talked to me and Jordan Crucchiola about the creepy AI movie AFRAID. Keep an eye out for that episode in your feeds later today.
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