Last month, I had the opportunity to moderate a conversation with Steven Soderbergh and André Holland at the Sundance Film Festival. This prompted me to finally catch up with their first collaboration, The Knick, a historical drama about a New York City hospital operating at the turn of the 20th century; Holland plays a surgeon who must contend with racism while trying to innovate his field. I missed the series during its original run on Cinemax, but both seasons are streaming on Max now and it's really, really good. It's not for the faint of heart – definitely way more blood and guts than you'll catch on a primetime hospital program– but worth checking out if you love a show like Deadwood and/or are a Clive Owen fan. As someone who's frequented Las Vegas several times in the last few years, most recently to see Beyoncé, I enjoyed reading our PCHH friend and NPR editor Bilal Qureshi's examination of how Sin City has become a sort of career rehabilitation hub for artists like Adele and Usher. Speaking of Ursher, baby – NPR Music's Sheldon Pearce unpacked the unique stakes Usher faces as he prepares to take center stage at the Super Bowl Halftime Show this weekend. (Yes, PCHH will be burning the late-night oil to bring you a recap soon after.) |